Lovecraftian film producer Chris Lackey discusses a number of Lovecraft adaptations for film and television.

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

When four-year-old Gregory is murdered, his devastated parents, the police and the judiciary are tested to their limits.

Mira in her late 40's has been living in Paris for around 20 years. Having just divorced her French husband, she decides to visit Korea, and meets her old friends Young-eun and Sung-woo. While having a cheerful time in the bar, Mira goes to the toilet and after she returns, time is reversed back to 19 years ago. It is the day of Mira’s farewell party, before she left to France.

London's oldest working cinema asks its patrons to observe certain manners of behaviour when enjoying its shows.

London's oldest working cinema asks its patrons to observe certain manners of behaviour when enjoying its shows.

Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.

Earl Clancy, a cinema owner on the edge, battles a series of disasters while juggling personal turmoil and the chaos of a packed Friday night crowd -- Told in real time over the course of the movie playing in the cinema.

The first feature documentary directed by Kim Dong-ho, former festival director of the Busan International Film Festival, this film captures the present landscape of theaters and films across Asia through the eyes of a seasoned film professional. Now retired from public service, Kim travels with his camera to document the post-pandemic cinematic ecosystem, visiting theaters and film festivals in Korea, Japan, Taiwan, Indonesia, and beyond, and gathering memories and concerns from filmmakers along the way. Prominent figures like Lee Chang-dong, Park Chan-wook, Bong Joon-ho, Kore-eda Hirokazu, Tsai Ming-Liang, and Garin Nugroho eagerly share their thoughts on the fate of theaters and the future of cinema. What begins as a survey of the current state of theaters evolves into an emotional chronicle and an opportunity to reflect on the essence and sustainability of cinema.